![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlQDPt0zbTxPH-t78Vk0iD8U6KnDU5etIAFh3KnFAkpKca9MfXZfaU-Rr2xxEj1_ujOv05EATJtY4rirTGvBxsIiqIj-vXU4HNWpqidp984UZsnoDoeqC1wPC8EOJMW6WCasEtx4r62FE/s400/thornton+farm+no+red.jpg)
Springtime Field 2, Original Oil by Sheri Farabaugh, 5x7,SOLD.
I went back to the scene of my plein air painting on May 30th (also blogged on May 30th). Why not, it was the first plein air in a long time that I actually liked. The first painting had the advantage of a bright red underpainting. I think a red underpainting helps a lot when you're faced with a lot of green. Could I paint a successful painting without that built in bit of color? I think so. In fact I think I like the second one a little bit better. What do you think?
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