Showing posts with label field. Show all posts
Showing posts with label field. Show all posts

Saturday, September 12, 2015

"Dirt Road Snow Tree" Landscape Fine Art Photography by Colorado Photographer Kit Hedman


Prints available in multiple sizes HERE

 Click HERE to visit my WEBSITE.

 Click HERE to visit my painting website.  Read about my current Colorado Exhibit below.


Thursday, September 10, 2015

"Prairie Anton"Landscape Fine Art Photography by Colorado Photographer Kit Hedman



Prints available in multiple sizes HERE

 Click HERE to visit my WEBSITE.

 Click HERE to visit my painting website.  Read about my current Colorado Exhibit below.


Saturday, April 12, 2014

Garapata California plein air oil landscape paintings

garapata carmel california
Garapata Strength   5" x 7" oil on canvas panel   $100.
I tried to take some photos of work in progress, but like usual I missed a few steps. For this painting I used a cotton canvas for the support, not my favorite. I used some of Gamblin's solvent free get to help move the paint when I first layed in the paint. It helped to spread over the rougher canvas weave.
garapata
garapata2
The second painting was a small barn with a patch of wild mustard.
California wild mustard
Wild Mustard  5"x7" oil on canvas panel   $100.
On to a new location tomorrow. I will be staying and painting with a friend in Redwood City, CA for a couple of days.
Talk to you all later.
Becky

Thursday, September 12, 2013

"Evergreen and Field 2" Original Oil Landscape Painting by Impressionistic Artist Ivy Delon

                                   


 12x12 Oil on Canvas

 Original Oil Delphinium Garden Painting

 For purchase info contact Ivy at ivydelon@hotmail.com

 Visit http://IvyDelon.com to view more of my work.

 New paintings posted daily at http://ivydelonfineart.blogspot.com

Sunday, September 8, 2013

"Evergreen and Field" Original Oil Landscape Painting by Impressionistic Artist Ivy Delon

                                   

 12x12 Oil on Canvas

 Original Oil Delphinium Garden Painting

 For purchase info contact Ivy at ivydelon@hotmail.com

 Visit http://IvyDelon.com to view more of my work.

 New paintings posted daily at http://ivydelonfineart.blogspot.com

Wednesday, July 31, 2013

Day 43, Project 125 Yamhill, Oregon Red Barn oil landscape painting BECKY JOY

© 2013 Becky Joy   Nightfall       oil    6 inches x 6 inches      $125.
Click here to purchase.

Today I played with color after finishing my large barn painting, Yamhill Barn, 30"x40" oil. I felt like a nocturne. I had had this one in my mind for a couple of weeks. It was one that I was going to paint larger, but I thought I would try it first in a small size. I'm not sure if I will go larger with it or move on. I need to get some sunsets going in larger sizes. That may be next on the agenda.

In this painting I used a small range of colors keeping them grayed with subtle differences between them. It is always tricky to get enough light in the painting, but dark enough to tell the viewer it is nighttime. Without enough light it is just a dark painting. I like to have some definite light hitting an object to create more interest in a nocturne. In this one the moon is outside the field of vision.



© 2013 Becky Joy     Yamhill Barn    oil on linen      30" x 40"

A few openings in my workshops:
Hood River, OR Sept 4 full
Carmel, IN Sept 27 - 29
Superstitions, AZ Oct 3 - 5 full

E-Book: How to Create Better Paintings Using Foundational Concepts

I'll talk to you all tomorrow.
Becky Joy

Thursday, July 25, 2013

Day 38, Project 125 Peaceful and Restful oil landscape painting BECKY JOY

© 2014 Becky Joy    Peaceful Respite    oil     6 inches x 6 inches    

Today (I always start out that way, don't I).   Hmmm.... gotta mix it up a bit.  Anyway, on with the day. I shipped off my paintings for the Plein Air Artists Colorado Annual Show at Abend Gallery in Denver. The show runs Aug 10 - 31.
Then, it was off to the art store in Scottsdale. I needed some smaller new tubes of paint for traveling on the plane. Some of my tubes were no longer readable, so much better to be safe and have labels clearly marked and full tubes. Then a couple more errand and lunch with my daughter. The afternoon was finally spent painting. This was painted in the studio, a kind of restful, peaceful scene. I think I needed that.
I hope some of you can join me painting in Italy at the Posara Watermill June 7 -14, 2014. Booking from now until Aug 31, 2013 there is a special discount where you can save on the rates. For more information on the workshop click here.
Now, a quiet evening!

Becky Joy

E-Book - How to Create Better Paintings Using  Foundational Concepts

Tuesday, July 9, 2013

Day 25, Project 125 Baker City Oregon plein air oil landscape painting BECKY JOY

textured painterly cloud painting
© 2013 Becky Joy     Baker City Oregon Clouds   oil on panel     6 inches x 6 inches
It is been a challenge with the computer the last couple of days. I left my family in Oregon 2 days ago and have been on the road. I stayed the night in Baker City, Oregon which is in Eastern Oregon. The internet access that I had was verrrrry slow, but I did manage to get some work done. And, that was the problem, some but not all the work. I uploaded my new e-book, but was not able to finish the job. So, those that paid were not getting the e-book. Once I got to my friend, Shanna Kunz' house in Utah I finally got a good connection. This morning I was able to finish everything with the e-book and now trying to catch up with the blogging, emails, etc, etc.


Talk to you all tomorrow.

Friday, July 5, 2013

Day 23 Rural Austin Texas Dusk, plein air to studio mood painting BECKY JOY

   
© 2013 Becky Joy    Rural Austin Texas Dusk      oil on panel     6 inches x 6 inshes    

This may be Texas, but I'm still in Oregon. I was itching to paint some mood paintings. This is one of them. I used a small 6x6 plein air that I painted in Austin, TX in May while at the OPA Show. Even though I invent the color of my mood paintings, the plein air paintings are very useful to me. The plein air will show me the relationship of colors to each other, which is something that I am still concerned about in paintings that I invent colors. I did change the lighting direction of this painting. I don't always do that, but I felt to balance the painting it was best to have the light come from the right rather than the left. This also left more sky open to put the lightest warmest color in this space. This painting is a little later in the day than the one that I painted yesterday, thus making the sky a cooler color. The ground colors reflect that sky color becoming cooler also.


The original plein air from Austin, TX

I'm excited and humbled to have my painting Strength and Serenity accepted the the American Impressionist Society National Exhibition and Show. It was a good day painting Strength and Serenity in Yosemite at the beginning of my trip.

© 2013 Becky Joy Strength and Serenity oil 11"x14"

I'll be off and on the road tomorrow, on my way to Salt Lake City to stop and visit and paint with my friend Shanna Kunz. Can't wait to paint with her. I'll be posting something on the drive there when I take a break. The next part of my adventure, Salt Lake City, UT.

Workshops:

Hood River, OR, Sep 4, 1 day plein air
Carmel, IN Sept 27 - 29, 3 day studio
Phoenix, AZ Oct 3 - 5, 3 day plein air
More workshops........click here.

Becky Joy

Day 23 Rural Austin Texas Dusk, plein air to studio mood painting BECY JOY

rural road trees field mountains sunset painting  
© 2013 Becky Joy    Rural Austin Texas Dusk      oil on panel     6 inches x 6 inshes     

This may be Texas, but I'm still in Oregon. I was itching to paint some mood paintings. This is one of them. I used a small 6x6 plein air that I painted in Austin, TX in May while at the OPA Show. Even though I invent the color of my mood paintings, the plein air paintings are very useful to me. The plein air will show me the relationship of colors to each other, which is something that I am still concerned about in paintings that I invent colors. I did change the lighting direction of this painting. I don't always do that, but I felt to balance the painting it was best to have the light come from the right rather than the left. This also left more sky open to put the lightest warmest color in this space. This painting is a little later in the day than the one that I painted yesterday, thus making the sky a cooler color. The ground colors reflect that sky color becoming cooler also.


I'll be off and on the road tomorrow, on my way to Salt Lake City to stop and visit and paint with my friend Shanna Kunz. Can't wait to paint with her. I'll be posting something on the drive there when I take a break. 
The next part of my adventure, Salt Lake City, UT.

Fredericksburg, TX plein air workshop Oct 24 - 26

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